studio which made the staff call a paramedic. Meanwhile‚ Harry and his friends‚ Tyrone and Marion‚ have aspiring dreams‚ but they need money to achieve
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assaulted her and Gary strongly denies it. At various points in the text‚ in mediation sessions with Marion who is a _____‚ we are told many variations of what happened between the pair. In the first scene‚ Susy tells Marion the Gary grabbed my breasts and said something sick and when I turned around Gary’s member was inches in front of my nose. The next day‚ I was fired.’ In the next scene‚ Gary tells Marion that she was fired because her work was unsatisfactory.’ In the first mediation meeting between
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When Hitchcock made Psycho in 1959 and early 1960‚ it was a hard sell to begin with considering the subject matter and that no studio wanted to pick it up‚ so Hitch had to put up his own money and on the off season from “ Alfred Hitchcock Presents”‚ he filmed the film. However‚ the subject matter was just the beginning of the tricks that Hitchcock had up his sleeves for the film and his viewing public. By the time Psycho rolled around‚ Hitchcock had already made a name for himself as a filmmaker
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a mother figure holding a knife‚ which the mise-en-scene helps create a more thrilling climax. Also the sharp and high pitch strings of the violins‚ violas‚ and cellos create an orchestra of intensity that leads to the pivotal death of the victim‚ Marion. Mis-en-Scene is everything what we see in the film. This includes film’s costume/makeup‚ lighting‚ staging‚ and setting. In Psycho‚ though this film is in black and white‚ elements of Mis-en-Scene in this film are vital in this horror film. These
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Both Marion and Arbogast are viewed in high angles to make them seem inferior and vulnerable. As Arbogast climbs the stairs‚ the tracking shot is always a bit above him to exaggerate his small stature. The close-ups and high angles along with the sinister-looking
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example when the bathroom mirror reflects on the money Marion has taken. Probably the most noticed use of mirror is when Marion’s sister sees her reflection in two mirrors and is startled because she thinks someone is behind her. Voyeurism is also a reoccurring motif‚ not only seeing characters spy on others‚ but also making the viewer feel like they are also the ones spying. This is seen when Norman‚ the owner of the hotel‚ begins to spy on Marion and then the camera view enters the view of Norman causing
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Alfred Hitchcock was one of the most outstanding filmmakers of the 20th century. He was born in 1899 in Leytonstone‚ East London. In 1920‚ Hitchcock obtained a full-time job designing film titles. While working‚ he endeavored to learn as much as he could about the film business. Within 3 years of starting his job at the studio‚ Hitchcock became an assistant director and‚ in 1925‚ a director. In a career spanning six decades‚ Hitchcock made 53 films‚ the best of which are at once suspenseful‚ exciting
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Bishop Maitland | Wrap-Up | March | 6 | Rev. Hurtt | Works of Jesus | 2nd Trimester March | 13 | Rev. Hurtt | Works of Jesus | March | 20 | Rev. Hurtt | Wrap-Up | March | 27 | Rev. Marion Stevenson | Sermon on the Mount | April
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suspense and horror through which the audience is skillfully positioned into identifying with different characters. Throughout the film‚ Hitchcock’s techniques voyeuristically implicate the audience to shift their sympathy between two main characters Marion Crane (Janet Leigh) and Norman Bates (Anthony Perkins). Hitchcock explores the nightmarish themes of madness‚ duality of characters‚ personal traps and voyeurism through employment of devices like mise-en-scene and motifs. Through the use of mise-en-scene
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Wales is attempting to regain custody of his daughter from his sister-in-law‚ Marion‚ who does not trust him with his daughter Honoria. While Wales’ relationship with Marion was rocky from then the time that he had married Helen‚ but to make it worse Marion blames Wales for Helen’s death. (Fitzgerald‚ 369). The relationship between Marion and Wales is tense‚ with the central argument being around Honoria’s guardianship. Marion is afraid that Wales will go back to his old habits‚ the habits that she
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