Maus and historical reconciliation History always deals with things that are in the past. In this time and age‚ people usually have the tendency to consider history‚ simply as something that does not exist in reality anymore‚ things that have already passed. In Art Spiegelman’s Maus‚ the novel illustrates readers not only the change in the world after the war‚ but that it also has significant meaning for us in our day. He throws out a variety of subjects in his book‚ the generation before and after
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postmodern elements. From Maus contains elements‚ which identify a postmodern text. The elements used are the interrogation of the past‚ pastiche‚ the use of a non-linear journey‚ mixing of genres‚ the use of language and the high and low culture. The fragmented form and the use of anthropomorphism allow the audience to be exposed to a postmodern text. The use of anthropomorphism shows the direct way in which the author hopes to achieve his message. From Maus the text‚ which uses the low and
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Maus II‚ a book by Art Spiegelman about him and his father talking about his life in the concentration camps during the Holocaust. His father had a great story about how he survived and what he did to stay on peoples “good sides”.There are many symbols in the story including the different animals that each mean something. There are the dogs‚ the cats‚ the mice‚ and the pigs. Then there is the relationship between Artie and his father‚ Vladek. Vladek was a Holocaust survivor‚ looping his way around
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The graphic novel Maus is a novel because it deals with human experiences‚ it is narrated in great detail‚ and it is a connected sequence of events. According to Webster’s New Explorer Dictionary‚ a novel is “a long invented prose narrative dealing with human experience through a connected sequence of events.” A narrative is also defined as “something that is narrated”‚ by the same source. The plot of Maus highlights the story of Vladek Spiegelman’s experiences as a Polish Jew and Holocaust survivor
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Illustrations are an essential component of graphic novels in expressing the importance of scenes and qualities of characters within the author and illustrator’s work. Throughout the graphic novel‚ Maus I‚ the author and illustrator‚ Art Spiegelman‚ exhibits differentiating tactics in pursuance of the audience gathering visual information to determine whether or not a scene is really one of importance. For example‚ throughout the novel Art and his father‚ Vladek‚ are conducting interviews based on
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Experiences shape a person “Man learns through experience‚ and the spiritual path is full of different kinds of experiences. He will encounter many difficulties and obstacles‚ and they are the very experiences he needs to encourage and complete the cleansing process” (Sai Baba). Just as Baba‚ who was an Indian guru‚ spiritual figure‚ mystic‚ philanthropist and educator‚ said; a person is shaped by different experiences. Some of these experiences are learned from school‚ some are learned from others
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should rather be positive than negative. In both my article and Maus‚ people are selected (Maus) and auctioned (“People for Sale”)
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myself and future family. This idea of meaning in life is presented in Viktor Frankl’s concept of logotherapy. Logotherapy supports the belief that when we find a purpose in life‚ it helps us sustain oneself. Two texts which present logotherapy are Maus and the film Life Is Beautiful. These texts present how the concepts of logotherapy can be used to maintain optimism despite horrific conditions. Logotherapy means therapy through finding meaning. It explains that our primary
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According to Kurt Vonnegut‚ “...there would always be wars... they were as easy to stop as glaciers” (Vonnegut 3). And from these wars come the stories of those who struggled through them. Night by Elie Wiesel‚ Maus by Art Spiegelman‚ and Slaughterhouse-Five by Kurt Vonnegut all show how the choices people make when they are in danger are generally selfish‚ attempting to save their own lives and rarely aiding anyone else. People are selfish by nature and will only look out for their own interests
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“MAUS” Commentary: Page 82-83 ‘’MAUS’’ is a two part story written and illustrated by Art Spiegelman. He started working on the book in 1978 and the first part was published in 1986. Spiegelman retells his father’s story within his own life story. In this graphic novel the author Art Spiegelman uses very original and interesting ways of designing his story in order to show the past and the present. By using different illustrations for the past and present‚ Spiegelman can display more easily the
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