Critique of “Musical Offerings in the Renaissance” Rob Wegman’s article “Musical offerings in the Renaissance” discusses how the concept of gifts became a monumental aspect that defined the musical paradigm of the 14th-17th centuries. Gift exchange is one of the most common practices in our society. It is the primary method by which a majority of goods are circulated throughout communities. When communities openly share and receive from one another‚ anthropologists define them as gift economies
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Musical Appreciation over the Years Suzy L. Gayder ARTS340 7/8/2012 Instructor Wendy Page Music has been changed and impacted dramatically over the years. Four periods of music that have had major impacts include the Baroque Period‚ the Classical Period‚ the Romantic Period and Early 20th century. Each of these four periods provided artists and compositions that had a direct impact on the face of music and music’s future. During all of these periods different techniques were used‚ different
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year‚ I had never had the opportunity to attend a musical theatre master class. On the other hand‚ I am extremely accustomed to dancer master classes and I found it interesting to compare and contrast the way classes are held. Each Friday the dancer department takes a master class with a different professional dancer. Besides the specific dance genre‚ the classes possess numerous similarities to each other. This was not the case for the two musical theatre master classes I attended this year. I found
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Funny Girl Funny Girl the Broadway musical opened on March 26‚ 1964 and is set in and around New York City just prior to and following World War I. The musical is a semi-biographical plot based on the life and career of Broadway‚ film star and comedian Fanny Brice and her stormy relationship with Nick Arnstein. The musical was produced by Ray Stark‚ Brice’s son-in-law‚ who was married to her daughter Frances. Barbra Streisand was the star of the musical and the production was nominated for eight
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older brothers smirked at the “old white haired guys” (also known as the best of classical composers) that I listened to through elementary school. In fifth grade‚ I picked up the trombone and fell in love with it too. In high school‚ the years of musical practice started to pay off. By junior year‚ I was playing in six regular ensembles (orchestra‚ jazz‚ church orchestra‚ brass quintet‚ trombone choir‚ and school band). I added up 72 performances that year. At the Tennessee Governor’s School for
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Texture(組成): interweaving of melodic and harmonic aspect in musical fabric Monophony(單音): single melodic line Polyphony(複音): two or more melodic lines Counterpoint(旋律配合): the combination of two or more melodic lines according to established rules Homophony(諧音): one main melody plus accompaniment Structure Hearing musical structures Music and memory From transparent to hidden structures From order to chaos Musical forms Repetition Strophic form: song with the same music
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Tone color is described by words like bright‚ dark‚ brilliant‚ mellow‚ and rich. 13. What is a listening outline‚ and how is it used?-each item describes some musical sound. It may point out the dynamic of the interments 14. What are the two forms of performing media?-voices and interments 15. Name the categories of musical instruments and give some examples in each—i.e. woodwinds (flute) ... give names of other categories and examples of instruments. - string
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well educated musician and an activist. He studied music at the Trinity College of Music London. Upon his return from abroad‚ he was exposed to highlife and jazz and later on developed afrobeat music. He died in Some of the foreign and indigenous musical elements in afrobeat music of Fela Anikulapo Kuti are: JAZZ: This is a combination of elements of western music and characteristics traceable back to the music of west Africa. The fundamental in distinguishing features of jazz is based on simple
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look ahead to the future and see what lies ahead of me. Something that I enjoy that keeps my mind off of all the negative aspects of life is Musical Theater. I had a wonderful opportunity to audition for the Kristin Chenoweth Broadway Bootcamp back in February 2015. I felt completely unprepared as I walked into this audition with little to none musical background. I walked in the room
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