The distinctly visual is able to shape perception and meaning of concerns and experiences within the texts Shoe-Horn Sonata and Changi: ‘Seeing is believing’. The use of techniques in both texts allows the audience to understand the effects of war on the individual and the impact of the experiences encountered. The Shoe-Horn Sonata is a play by John Misto that gives an insight into two lives of two female prisoners of war in World War 2. The play explores terrible events associated with prisoners
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Distinctively Visual Image Page 52 “On the other side of our barbed wire fence were twenty or thirty Aussie men – as skinny as us – and wearing slouch hats. Unlike the Japs‚ they had hairy legs. And they were standing in rows – serenading us.” John Misto created a written visual image that comes through in Act 1 Scene 7 (Page 52). This is brought up in the play when Bridie and Sheila are being interviewed by Rick (Host)‚ they were originally talking about the conditions that they were in‚ how they
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The Form and Tonal Structure of Beethoven’s Piano Sonata No. 8 in C minor‚ Op. 13‚ II. “Adagio cantabile” March 19‚ 2013 Form and Analysis Many consider Ludwig Von Beethoven’s Piano Sonata No. 8 in C minor‚ Op. 13 as his first major musical accomplishment‚ more commonly known as Sonata Pathetique. Written at the age of 27 in 1798‚ the young composer had gained instant fame and his work was published only a year later. Beethoven‚ being one of the first significant musicians to work for
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Summary of scene 7 This Scene starts off with the male journalist asks Bridie about conditions in the camp. Explaining how the women were weighed regularly and outlining the contents of a will she drew up at this time‚ Bridie mentions a caramel. Questioned further about this caramel‚ which she and Sheila would suck on every Sunday night‚ Bridie explains how it came to be consumed. At Christmas 1943‚ to the amazement of the women‚ a group of male Australian POW’s managed to get to the barbed-wire
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J.S. Bach Flute Sonata in B minor (BWV 1030): the development of the Baroque Flute‚ the flautists and the music Johann Sebastian Bach (J.S. Bach) is no doubt one of the greatest composers of all times. He composed many works for flute including works for solo flute‚ flute with harpsichord and/or continuo and‚ two flutes and harpsichord. However‚ there has been a controversy‚ over the flute works‚ whether they were composed solely by the composer‚ assisted by someone or under the guidance of J.S
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A Comparison of Manze and Szigeti’s recordings of La Follia from Corelli’s Sonata for Violin Op. 5‚ no 12. Andrew Manze‚ an English violinist‚ and Joseph Szigeti‚ an American violinist are both internationally renowned for their Baroque playing1. I am going to take a look at each of their recordings of Corelli’s La Follia‚ the difference being however‚ that they are playing from separate scores and interpretations of the piece. Manze’s recording has been done from an earlier‚ more original copy
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Ioannis Karavassilis Audio Engineering August 9‚ 2013 AED 1012 Ioannis Karavassilis Audio Engineering AED 1012 August 9‚ 2013 Music’s potential as a positive stimulus for the brain
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(Candidate ID number) Date ‚ Time Exam Venue CONTENTS I. JOHANNE SEBASTIAN BACH---------------TOCCATA IN E MINOR‚ BWV 914 (1685-1750) (TIME) II. LUDWIG VAN BEETHOVEN---------------SONATA IN C MINOR‚ OP.13 NO.8 – (1770-1827) ‘PATHETIQUE’ (TIME) i. GRAVE : ALLEGRO DI MOLTE E CON BRIO ii. ADAGIO CANTABILE iii. RONDO : ALLEGRO III. FREDERIC CHOPIN------------------------IMPROMPTU IN C-SHARP MINOR‚ (1810-1849) OP.66 NO.4 –
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works includes Variations on a March by Dressler‚ WoO 63 and Three Piano Sonatas in E flat‚ f and D‚ WoO 47. The 2nd movement in f minor‚ a key rarely used as that time gives a passionate mood. CPE Bach‚ whose works were studied by Beethoven‚ also wrote 3 keyboard sonatas in f minor. Another important work of the period is the Three Piano Quartets in E flat‚ D‚ C. Each Piano Quartets is modeled after a specific piano or violin sonata by Mozart‚ the K380‚ K379 and K296. The funeral cantata for Emperor
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1. Which weighs more? The modern piano 2. Which instrument responds more rapidly to the player’s touch? The 18th-c. piano 3. An extended range of available notes (seven-and-a-quarter octaves‚ instead of just five) is a feature of the modern piano 4. If the relationship between two (or more) musical tones is simple and stable‚ we call the combination consonant 5. When composers combine tones successively‚ we call the resulting series a melody 6. By the late 18th century‚ the
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