as Venus (AA100 Book 1 Reputations‚ P. 9-10); he suggests she does this to draw the attention to her through a display of power and wealth. In the same scene a roman also says “in obtaining her objectives she employs torture‚ poison and even her own sexual talents” the second roman statement resembles Plutarch’s view of Cleopatra heavily. Plutarch indicates that Cleopatra is cleaver and has an aptitude for manipulation and cunning; he says “she was a master of a thousand flatteries “(AA100 Book 1 Reputations
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Compare and contrast Cézanne’s Bathers (Plate 1.3.4) with Correggio’s Leda with the Swan (plate 1.3.8). This essay will compare and contrast Cézanne’s Bathers (Plate 1.3.4) with Correggio’s Leda with the Swan (plate 1.3.8). It will discuss the art techniques used and how they distinguish the differences between traditional and modern work. The subject matter between both of the paintings is very similar- both depict nude human bodies (mostly female) within nature environment. The scene in Correggio’s
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AA100 The Arts Past and Present Assignment 3 Part 1 – The Dalai Lama. Which aspects of the Dalai Lama’s reputation are assumed in this exchange between the Dalai Lama and a Tibetan questioner? In this short exchange‚ various elements of the Dalai Lama’s reputation are being assumed‚ though perhaps the Lama’s response may be more surprising than the question to those unfamiliar with Buddhism. For instance‚ I would suggest that in Western culture‚ it is an infrequent occurrence for a political leader
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Look carefully at Plate 1.3.32‚ Paul Cezanne’s painting Still Life with Plaster Cast‚ c. 1894. How do the form and content of this painting contribute to our understanding of it as a modern work? According to art critic Clive Wilson‚ writing in 1914‚ Cézanne was ‘the Christopher Columbus of a new continent of form (Harrison‚ C‚ 2008‚ p.63). Considered a revolutionist‚ Cézanne helped pave the way for other modern artists and his abstract tendencies contributed to the Cubist Movement. Robert Cumming
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It is important to note that this extract from Plutarch’s ‘Life of Antony’ was written about one hundred years after the battle of Actium and the death of Antony and Cleopatra. ‘The work of ancient historians can seem to be a bit like a play or novel where what happens is often predetermined by the way the author has presented the make-up of his or her characters’ (Fear‚ 2008.P9) The extract begins by informing the reader that Antony’s armies have deserted him and joined Octavian – ‘the desertion
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Part 1 Cleopatra What impression does Dio give of the relationship between Cleopatra and Antony‚ and how does this impression relate to other Roman attitudes found in the chapter? The portrait of Cleopatra overpowering and enslaving Antony in their relationship was a constant subject in the Roman sources. (Fear‚ 2008 p. 10) Dio’s impression of Cleopatra and Antony’s relationship was that “she had laid him under some spell and deprived him of his wits.” (Scott-Kilvert‚ 1987a) Dio pictures Antony
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What do the representations of Cleopatra in film and on television (as shown on DVD video ’Cleopatra’) tell us about howher reputation changed over time? Discuss with reference to two or three representations In order to answer this question we must explore how the social and economic differences altered interpretations of Cleopatra and the effect it had on visual representations. Cleopatra‚ the last Hellenistic Queen of Egypt‚ was first portrayed by Theda Bara in 1917. She used her ’vamp’ like
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Bibliography: Fear‚ T (2008) ‘Cleopatra’ n Moohan‚ E. (ed.) Reputations (AA100 Book 1)‚ Milton Keynes‚ The Open University‚ pp. 3 - 28 The Arts Past and Present (AA100) Book 1: Reputations‚ Cleopatra‚ 2008. [DVD]‚ The Open University.
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cultures‚ even the art produced by other races form our understanding of “Cross Cultural Encounters”. Benin Art‚ dating from the 15th Century‚ when Fernao Gomes first discovered Benin on his exploration of the Guinea Coast‚ as Africa was then called‚ (AA100 Cultural Encounters 1.1 page 8) is a prime example of Cross Cultural encounters by two very different civilisations and cultures. Typical of Benin art‚ relating to Cross Cultural Encounters is the brass plaque shown in Illustrations for books 3
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Bibliography: AA100 The Arts Past And Present-Book 3 Cultural Encounters‚ The Art of Benin‚ DVD‚ The Open University‚ 2009. Loftus D‚ Wood P‚ The Art of Benin: Changing Relations Between Europe and Africa II‚ The Open University‚ 2008. Illustration Book‚ AA100‚ The Arts Past and Present‚ The Open University‚ 2008.
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