fit to kill / in disbelief / at the angry, militant / pictures of herself” (lines 7-10). The author is suggesting Sammy Lou is “dying” in laughter as she gazes in refusal at the horrifying pictures of herself, people unknown to her, have drew up. A culturally challenged person that she is, Sammy Lou is deemed as a “backwoods woman” (14) who lives in a house decorated with “funeral home calendars” and photographs of her young innocent children (lines 14-17). Not many people around her give it much thought, but as she is, Sammy Lou has managed to raise five well-educated children. “She raised a George, / a Martha, a Jackie and a Kennedy. Also / a John Wesley Junior” (lines 18-20). Also, she frequently reminds them to “Always respect the word of God” (21).
Towards the end of the poem, the reader learns that Sammy Lou’s life here on earth is soon to be over when she is sentenced to the “electric chair” (24). Even with her “respect [for] the word of God” (21), Sammy Lou is uncertain herself where her destination will be afterwards (lines 22-23). Sammy Lou’s final words are, “Don’t yall forgit to water / my purple petunias” (lines 25-26). The speaker maybe implying that Sammy Lou is a gardener and the flowers she will leave behind (hence the cultivator’s hoe) (5), or the speaker maybe suggesting the flowers that will be on Sammy Lou’s grave after she is gone. As people go through life, they are often tempted to give into their desires what they think is right. Sammy Lou’s story proves that people cannot partake in their animalistic instincts and expect to get away with a crime. Whether someone is “good” or “bad”, they are all judged the same in the end. In this poem, Sammy Lou thinks she has won the fight, but in the end she loses. Walker,Alice. “Revolutionary Petunias.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Henry E. Jacobs. 8th ed. Upper Saddle River: Pearson, 2007. 1247.