Archetypes In Star Wars

Psychoanalytic Criticism on Featured Film, Star Wars
A Myth-Freudian Criticism Star Wars is a classic movie written and directed by George Lucas that encompasses a vast array of archetypes and phallic/yonic symbols that yield fascinating "between the lines" interpretations. An analysis of such archetypes reveals a great deal of what the main characters are thinking. The synopsis of the movie is as such: The story commences with Princess Leia escort ship being boarded by Empire in hope to gain the hidden construction plans of the Death Star that the princess intercepted. Prior to her imprisonment she hid the plans and a note in the memory circuit of R2-D2. Luke Skywalker locates the droid and finds Obi Wan Kenobi. Both Obi Wan Kenobi
and Luke recruit Han Solo. Their collective mission is to furnish the plans of the Death Star to the rebel force so they can expose a weakness before the Death Star destroys the planet, Alderan, the princess's hometown.
The finale involves a grand celebration in which Luke and Han are being presented with a medal of honor for their heroic efforts in destroying the Empire's weapon of mass destruction, the Death Star. Archetypes stem from the mind of Carl Jung. Archetypal or the collective unconscious is a pool of universal memories that everyone shares, a network of files. Universal characters with common attributes constitute an archetypical character, such as in Star Wars the heroic character is Luke Skywalker, who is on a quest to search his own history and to save the princess. Luke Skywalker has the common heroic attribute of a special power as Luke finds himself well within the force and the fact that in his hometown planet of Tatooine he excels as a terrific landspeeder pilot at his age. Luke also has received kudos for his marksmanship skills. Princess Leia represents the victim and a martyr as she risks her life by providing the construction plans of the Death Star to rebel forces. Han Solo is quite a character he represents a rotten apple turned do-gooder, throughout the movie his character transgresses
from a money-hungry smuggler to a well-hearted hero that helps achieve the goals of the rebels. Chewbacca is a wookie, a furry creature that is Han Solo's first mate on the Millennium Falcon , who represents the hero's best friend (mans' best friend) such as a typical dog, it is weird how we can understand a dog even though he does not speak. Han Solo despite Chewbacca's speech impediment understands him. Regarding Han Solo's space ship, Millennium Falcon it also represents something spectacular that can achieve improbable (regarding its speed) measures, such technology and transportation usually accompanies heroes in movies. Obi Wan Kenobi fit perfectly as the old wise man. Obi Wan Kenobi is of a dying breed, he represent the good side of the force as he is a powerful Jedi Knight who mentors Luke Skywalker and attempts to give him a crash course lesson on the religion. Obi Wan Kenobi is the wise man, who throughout the movie provides us with many quick-witted anecdotes and philosophical statements such as, "who is the fool, the person who is to be the fool or the fool that follows him." The outcast is also portrayed in the film as the Jawas and Tusken Raiders. These are two different species of sand people. The Jawas are short people that go around combing the desert for anything that can be sold. They are not violent people. The Tusken Raiders are violent cliff dwellers that wait to ambush anyone passing to steal and kidnap them and their possessions. They are outcast because they have committed several crimes against humans in the city on planet Tatooine, and because of the Tusken Raiders actions the Jawas too must pay and live off in the desert. The last archetype is the figure of the devil and evil, which Darth Vader and Emperor Palatine both represent. Darth Vader is a member of the siths, which are Jedi Knight that have fallen into the dark side of the force and exploit the powers of the force to perform irrational and egregious acts. Emperor Palatine is the head of this pact and mandates many acts of violence for which Lord Darth Vader must accomplish. Images such as colors, numbers, and location are forms of archetypes that represent a universal symbol that every human has within his collective unconsciousness.
Colors are abundant in movies, (unless they are in black and white) Star Wars excels in the selection of colors that best fits the psychological profile of the character. For example, both Luke Skywalker and Princess Leia are wearing white tunics that represent purity and honesty in their character. Luke Skywalker is a daring hero who is honest and his only concern is for the safe retrieval of the Princess without concern for monetary compensation, as Han Solo does. Princess Leia only concern is for the people of Alderan and the support of the rebellion movement without concern for her own life. Han Solo and the Imperial Storm Troopers are wearing a mainly white with black stripes, indicating a mixed conscious feeling. Han Solo is debating whether it is his benefit to proceed ahead and only does so when he finds out that Leia is royalty, yielding him a great fortune that is Han Solo. Han Solo's shadow revealed through that money hungry side he has built in his unconscious is later repressed as he comes to his senses realizing his wrongdoings. C3-P0 is a humanoid that is in charge of human-droid relations, so it is only fair if he were to be personified with human attributes such as his color, golden. The golden color seems to indicate to things that C3-P0 is rich in his vast array of languages and
abilities and the color serves to give the impression of human skin. Darth Vader is wearing a black protective suit with a black cape; this is suggestive of an evil or devil-like character, which is usually represented by this color. Emperor Palatine is wearing a dark black cloak that conceals his face from public view as Darth Vader does with his mask. The whole idea of Darth Vader and Emperor Palatine burying their face is indicative of a persona. The persona that Darth Vader shows to the world is that he is an evil and wicked sith lord that is out to reck havoc on the rebel forces, but lest we forget he once was a good and honest Jedi Knight, taught and trained by Obi Van Kenobi, so perhaps Darth Vader is still battling with his conscious in his violent actions he does. The persona and anima are contrasting each other in Darth Vader conscious mind, the anima of Darth Vader is regulated by his ego, which is obviously not functioning well. The anima of Darth Vader is made of both masculine and feminine designation in which the masculine tuff and rough character is evoked in Darth Vader, but as mentioned perhaps Darth Vader is hiding his true feeling inside and only allowing his shadow to come out, although the good side of Darth Vader does come out when he kills Emperor Palatine, saving the skin of Luke Skywalker, Vader's son. The color of the light saber that Darth Vader uses is colored red indicating passion and violence, which Darth Vader is known for, while Obi Van Kenobi and Luke Skywalker have light sabers with the color blue, indicative of holiness, sanctity and tranquility, which goes along with their characters as mentioned before. Numbers are also important archetypal occurrences the number two is present in Star Wars. There exists a picturesque scene in which Luke Skywalker is starring at a sky as he informs himself of the death of his uncle and aunt (guardian) and two are two moons side-by-side. Two insinuates an ongoing battle between good versus evil, rebel alliance and the Empire, respectively. Also, it shows an imbalance in the four elements of the universe, a disturbance in the force. The location of the two suns is in outer space, where relentless battles happen between the rebels and the empire. Also, the two moons represent Luke's inner unconscious battle between his good side and his shadow. Locations also resemble many things that are common in all cultures, in the planet Tatooine that location is the desert. The desert represents, infertility, desolation, death, and pain, this happens as the village where Luke Skywalker lives is destroyed by the Imperial forces. The desert also is seen as death in that the Tusken Raider and other violent sand people will stop at nothing even commit murder in the act of larceny. The appearance of both phallic and yonic symbols is present in Star Wars in many great scenes. The idea of the light-saber is male-phallic symbol, in which each Jedi Knight or Darth Vader hold the saber close to his pelvic region. Both outer space and the desert of Tatooine represent a yonic symbol. Space is region a void (filled with black holes) that represent a woman womb, all the action and movement of space crafts is suggestive of the sequential events of birth as the baby travels through the womb. The desert is also a representation of the womb, but a dried, desolate, and infertile terrain (womb) on the planet of Tatooine, which is Luke's hometown this could be interpreted that Luke Skywalker is at odds with his mother (especially since he is not being raised by his mother but by his uncle/aunt) Lukes only solution is to look up into outer space (represent fertile womb) where he believes he best fits in. The event that indicates this is when he meets his soon-to-be-known sister, Princess Leia whom represents Luke's mother and greets him with open arms and kisses. The Empire's relentless efforts to create bigger and better weapons of mass destruction could indicate insecurity with their manhood. Upon landing in Tatooine, the Imperial Forces do not travel in camels or land-speeders, but on dubacks (which are humongous dinosaur-like creatures) between their legs suggesting the obvious. For example the Death Star, which is a yonic symbol, has another yonic symbol which is its only weakness (a portal that lead straight to fuel compartment). This weakness is exploited again by Luke Skywalker which insinuates that he has a repressed anger towards woman/mother as he destroys the Death Star with a proton-torpedo. This proton-torpedo is a phallic symbol, which shows Luke's repressed anger toward his mother/women. This victory (battle against woman) is celebrated in the end.