Results of the trial eventually led to the feminist outlook on Artemisia in the late twentieth century. It is no surprise to see the trial upset many women and also men. The instance in which a party was undoubtedly guilty fueled the fire for a movement that would still be relevant today. Soon after the trial, she painted Judith Slaying Holofernes (1612-1613).
Historians call this work of art “remarkable in technical proficiency” especially given the way Judith is portrayed through the piece. What is so unique about the piece is that fact that the work takes a visual from the apocryphal Book of Judith in the Old Testament. Artemisia had the incredible insight to draw parallels with historical events and modify them to her artistic ability. Her visual puts her in the position as Judith and her rapist Tassi as Holofernes. Historian Mary Garrard once again attributes this work to the rage and expression of the outcome to the