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King Stefan's 'Maleficent In Sleeping Beauty'

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King Stefan's 'Maleficent In Sleeping Beauty'
The King Stefan in Sleeping Beauty dealt with the conflict by having all of the spinning wheels in the kingdom burnt and by allowing the three fairies to raise his daughter in a woodcutter’s cottage in the middle of the woods. Other than that, he sat around and waited for sixteen years, waiting for the day that his daughter would come home. King Stefan in Maleficent was far more proactive with his coping methods. He did the same things as his Sleeping Beauty counterpart, but this time had had the kingdom’s soldiers and iron workers attempt to break through Maleficent’s wall of thorns that surrounded the Moors and attack her. All attempts to breach the thorn wall were unsuccessful and King Stefan slowly went mad with rage and grief, for his wife had passed away during Aurora’s sixteen years of hiding. Maleficent in Maleficent fears losing Aurora because she had grown to love Aurora and couldn’t bear to live without her. Other than that, Maleficent was a fearless leader, doing what she …show more content…
The slower way of speaking suggests that the speakers would think about what they say be for they say it and they want to be easily understood by those they are speaking to. The main phrase that was used in Sleeping Beauty was that before the sun sets on her sixteenth birthday, she shall prick her finger on the spindle of a spinning wheel, and die. In Maleficent, the wording for a similar phrase went something like this, “Your daughter will be loved by all creatures and before the sun sets on her sixteenth birthday she will prick her finger on the spindle of a spinning wheel and fall into a death like sleep.” The both characterize the culture in their stories by dating the cultures to be in the Medieval Era, before cheap, mass produced textiles were available. They also show that spinning wheels were common items in both

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