I tried to get actual words out but all could come out was, “Mmm… Amm.” “Sydney.” I nodded, feeling like a stupid dizzy bobble head. “You were in a car accident, and also you are in the hospital right now.” Dad told me. “This is probably going to be hard on you but…” He stopped, and I thought I heard him crying. “Your… Mom… Is…” He stopped again then he started, “ Dead.” My whole world collapsed with that word. I was gone without my mom. I curled up into a ball of sadness, never coming…
Arriving at her home, I knocked. She didn’t answer. Her car was parked in the driveway. I walked in the woods. I couldn’t find her. I went to the work shed. In the rear of the shed and under the windowsill, my uncle had made a small shelf where he hid his spare key.…
My father had disappeared before my birth, and my mother never mentioned a single thing about him. Whenever she mentioned him, she did so out of spite and resentment. My mother and I lived happily together, singing and laughing at the things Grover’s Corners had for us. As I grew up, however, my mother changed from the sweet, kind person I had known to a cynical old woman who smoked cigarettes constantly. The mother I used to sing church hymns with had long disappeared, replaced by a vicious woman who considered her son as nothing more than a hindrance.…
In the Lost Thing, the boy/persona has various connections with people in the text and this contributes to his sense of belonging in the context in which he lives. He is able to comfortably negotiate his way amongst the people he encounters. His friendship with Pete is represented by Tan as relaxed. They are both at ease with each other and their environment. This is shown in the image where they are both perched on a rooftop enjoying a conversation over a beverage. The two figures appear small and insignificant, blending into a sea of identical rooftops in a harmonious yet drab monochromatic colour scheme, in great contrast to the large and precariously balanced Lost Thing. Similarly, the boy is at ease in the lounge room with his parents, engaged in the mundane activity of eating crisps. His parents, despite verbal objections in the text to the Lost Thing, appear listless and accepting in their slumped postures on the lounge and the boy clearly belongs here.…
Francine Cournos is a medical student that turned to psychiatry after realizing that she identified with people’s stories. In Courno’s biography, “City of One”, she reflects on her past. At an early age, Cournos lost both of her parents, her father at three years old and her mother when she was eleven years old. The loss of two attachment figures at such an early age had a profound affect on Cournos for the rest of her life. Cournos analyzes her experiences as a child, young adult, and womanhood and uses her findings to contribute to explanations of her thoughts and feelings. Cournos aims to provide readers with insight into the various ways children are affected throughout life by the death of a parent.…
Lost and Found is the first book of the Bluford Series. It's about a girl named Darcy and her sister Jamee whose father left them when they were the age of nine and eleven. Five years later, he decides to re-enter their lives. While he was away the family had many struggles. Upon his return, the family is unsure of what to do or how to respond to his return.…
Holding back the tears in my eyes as I waved my parents goodbye at the airport, I would then live with my grandparents for the next two years of my life. I don’t really remember much other than the stories my parents used to tell me. They felt really bad leaving me here for so long but our talks on the phone were always really cheerful and they were surprised on how fast I recovered from being sad and back to my normal curious self. Two years later In the spring of 2006, as usual, I was waiting for my grandparents to pick me up from preschool and my mom for the first time in two years.…
I let out a blood-curdling scream, it felt as if it was a terrible nightmare, as if I would wake up and it would all be gone. Jayden would be lying down next to me, we would be in our warm beds looking at each other, but this wasn’t a nightmare, just identical to one. From that moment on I knew that the hardest part of this all was to continue living everyday. My worst fear, my worst nightmare, my worst horror had become a reality. A reality I wasn’t ready to continue with; a reality I would never be able to continue with. The emotions associated with losing a child are beyond inexpressible. My most cherished love had been taken away from me, and I would never be able to get him back…
I was working on a school project when I got a call from my dad saying he was coming right away to come pick me up, I remember the sheathing anger I felt arguing that no he wasn’t going to pick me up that I really needed to finish this school project. I still shake my head in dismay knowing the fact I in fact didn’t need to finish the project I just wanted to hang out with my friends. I can’t pretend that I didn’t sulk my way to my dad’s waiting vehicle that I looked at him with a scowl across my face. Nor can I wipe away from my memory the words he said next “Your sister is in the hospital, she’s lost her baby and she’s asking for you.” This complete wash of emotion that came over me the shame the concern I was mortified with myself. How could I have been so mad about my importance when my sister had just faced a devastating event? Looking up and saying “Take me to her.”…
The difference between Susie’s mother and my mother is that Susie’s mother actually left. For eight years, Susie’s mother fled away from her family and, thus, her daughter’s death. But she was brought back by an emergency, and stayed. Susie’s parents finally acknowledged their daughter’s death and her mother found value in being a mother and overlooked all those years of wanting her old life back. Good can be found in the bad. And Susie’s story is only one example among thousands. I was in a very bad situation as well. I was not mourning over a death, like Susie’s family, but I was in a very dangerous and abusive environment that seemed only to downward-spiral. But, things got better, just like they did with the Salmon family. Most people find it difficult to see the good outcomes of a bad situation. I have always tried to see the benefit from something not so pleasant, even so, I struggle. And yet, Susie seems to have no problem in understanding that her death brought so many new relationships together as well as strengthened the existing ones in the inner workings of her family. Out of her dismembered body rose a new invisible and sturdy skeleton linking her loved ones together…
For instance, Ha’s family puts their essential belongings into a brown sac, such as clothing. And out of all Ha’s belongings, she only is able to bring one thing, she chooses the doll scarred with rat bites. This piece of evidence is significant because it relates to the universal refugee experience. when refugees leave on their voyage to their new home, there is barely any room for luggage, not to mention the overcrowded people. Also, Amela Kantenica, 17 years old at the time, shows how her life was turned inside out. “After I found out about my father’s death, everything seemed so useless. I couldn’t see any future for myself. I wasn’t the same person anymore.” (Arthur Brice). It is very unfortunate to say, but this feeling of losing loved ones, has occurred with many refugees, including Ha with her father. The feeling of turning “inside out” relates to the universal refugee experience when they lose their loved ones, and cannot bring all of their belongings with them on their…
We had never seen our mother in such despair; it was a shock to see our mother’s vivid emotions. My mother asked us if we wanted to see our father and we all replied “yes” and so she took all of us to see our father. However, my siblings and I went individually, but little did we know that what we were about to witness would shatter our hearts, feelings, souls, and…
We all take the lives of others and ours for granted. We never think about how our lives would be different without someone. This is only because we only think of happy endings. We always think it will be alright after a period of time, but it’s not. Imagine waking up in morning and getting ready for school. You walk down the stairs wondering what mom made for breakfast, but just as you enter the kitchen you get hit in the face by the aroma of freshly backed pancakes, with the strong smell of bacon. The aroma knocks you off your feet and you slowly levitate to the dining table and start digging in the pancakes. Now rewind that imagine entering the kitchen. Its pitch black, so you turn on the lights and your mom is nowhere to be found. You than look at the time and you think that it is too late to make yourself some breakfast so you head out without eating anything. Through the dynamic main character of Ella in Julie Orringer’s “Pilgrims,” helps us to see how people can become lost as result of experiencing loss and trauma. In this short story our protagonist Ella has to overcome someone’s death and the illness of someone that is very dear to her. All these actions can change someone forever. Just like that our main character Ella will forever wonder the world a pilgrim.…
A scene from The Arrival, which demonstrates these themes, is when the girl, of Asian appearance, tells her story to the protagonist. The girl is an allegorical figure for the different refugee stories, showing how this is a universal story and refugees can be any gender and race. The single page image shows the grandeur of refugees, as there are many people doing the same thing; the fact that they are all doing the same thing takes away their individuality. The walls separating the people shows that the refugees are alienated. The greyscale colour acts as pathetic fallacy, as the situation is very sad and depressing. This colour palette also adds to the message that the refugee’s story is one of fleeing from of oppression. The book is a metaphor for creativity and individuality, when the girl is forced to work the book is locked away, taking away her individuality; but before she escapes, she takes the book back, showing that at the end of the universal refugees story there is happiness. Similarly, The Lost Thing employs characters as allegorical figures. When the boy takes “the lost thing” home, we can see these allegories perfectly. The boy’s parents represent the general population, people caught up in trivial matters and people who pay no attention to the outside world. The “lost thing” represents a need to belong just like the…
Moreover, I still remember the day my mom had her final mental breakdown. It was late August because I remember I had just started a new year in high school. After school that day we couldn’t find her anywhere. My best friend’s mom drove me around looking for her. This wasn’t the first time she…