Alessandro Filipepi, better known as Sandro Botticelli was an Italian painter of the Florentine school during the Early Renaissance or Quattrocento. Sandro was born at Florence in 1445 in a house in the Via Nueva, Borg' Ognissanti. This was the home of his father, Mariano di Vanni dei Filipepi, a struggling tanner. Sandro, the youngest child, derived the name Botticelli by which he was commonly known, not, as related by Giorgio Vasari, from a goldsmith to whom he was apprenticed, but from his eldest brother Giovanni, a prosperous broker, who seems to have taken charge of the boy and who for some reason bore the nickname Botticello or Little Barrel. Botticelli was first apprenticed to a goldsmith at an early age of 13, then, following the boy's wishes, his doting father set him to Fra Filippo Lippi who was at work frescoing the Convent of the Carmine. Lippo Lippi's synthesis of the new control of …show more content…
In 1504 he was a member of the committee appointed to decide where Michelangelo’s David would be placed. His later work, especially as seen in a series on the life of St. Zenobius, witnessed a diminution of scale, expressively distorted figures, and a non-naturalistic use of colour reminiscent of the work of Fra Angrlico nearly a century earlier. Sandro Botticelli died at the age of 65. Some say Sandro was poor and unaccomplished at his death. This could be attributed to the rising popularity of new and contemporary artists such as Michelangelo, Raphael and Leonardo da Vinci. Even though his work is now thought to be among the most masterful of his time, his work lay forgotten for over 400 years after his death. Looking back at history, he now has the respect he earned through a lifetime of achievement. Sandro Botticelli contribution to the Italian Renaissance period was one of great