Claudio and Benedick are foils of each other,Claudio is a person who is looking for love “didst thou note the daughter of signior Leonato” (shakespeare 8). This shows how claudio is interested in people, Also in the book much…
In many situations in the book, the actions and words of one, would highlight the traits of the other. Although they may have similar traits, the differences in their other traits, bring out the characteristics of them. Throughout the book, different sides of the characters are shown as they grow and change, so the way that the two are foils of each other makes the changes seem more prominent and interesting. Shakespeare’s use of foils through Benedick and Claudio added to his comedic effect and overall story, which eventually became considered one of the best plays that he…
Women of the Elizabethan era were usually submissive to men. Their goal was to find a good man to marry an start a family with. In most of Shakespeare's plays this was the case, there were however a few well known exceptions. In Shakespeare's MUCH ADO ABOUT NOTHING, Beatrice and Hero keep each other grounded despite having completely different personalities. Beatrice is nothing like the women of the Elizabethan era. She is witty, sharp-tongued, she will talk back to men and she is not a firm believer of marriage. Where as Hero is quiet, respectful and just waiting to fall in love. Even though they are seemingly different, they are the best of friends.…
In the novel, Benedick and Beatrice hate each other with all their might. They talk bad about each other to one another any chance they get. The first form of trickery in Much Ado About Nothing is when the Prince and Leonato plot a story to trick Benedick. They knew Benedick was listening to their conversation so they knew exactly what to say. Benedick believed their lies and began to change the way he saw Beatrice…
The relationship between Beatrice and Benedick exposes the truth in a manner that removes the significance of the lies. Whereas Claudio and Hero’s connection still relies on the treacheries as a crucial property to flourish. These juxtaposing relationships illustrate how varied human relations can be when fabrications are at the center. As the play matures the relationships developed at different degrees into opposing situations: one growing stronger while the other was weakened due to the deceptions. In these final lines, Shakespeare is exposing how circumstances can contrast even amongst comparable conditions. While lying ultimately unites one, it almost destroys the other couple. Trickery is depicted as neither wrong nor right through the scope of these…
In Much Ado About Nothing, Shakespeare presents an interesting relationship between the characters of Beatrice and Benedick. We can compare their relationships with the poems ‘Sonnet 130’, ‘Sonnet 43’ and ‘Salome’ and the relationships presented in them. Although Shakespeare includes a conventional relationship between Hero and Claudio, he also decides to involve a different affair between Beatrice and Benedick.…
Write two dialogues spoken by the character that reveals this characters personality. O, swear not by the moon, the fickle moon, the inconstant moon, that monthly changes in her circle orb, lest that thy love prove likewise variable. O God, I have an ill-divining soul!…
For example, Beatrice and Ursula are helping Hero get ready for the wedding, when Ursula says something witty. This sparked Beatrice to ask “Since when...claimed to be such a great wit?” Ursula retorts with “When you lost yours” (Shakespeare 141), this implies the Beatrice had great wit. To further this, Beatrice asks Benedick to kill Claudio, even though he is his friend. Later, Benedick goes up to Claudio and says “I challenge you however you like” (Shakespeare 199). This shows he is stubborn, because he is unwilling to yield to the challenge, not matter his relationship with him.All in all, these characters are both similar and polar opposites, which make them the perfect pair for each…
Shakespeare presents many relationships in ‘Much Ado About Nothing’ as there are family relationships, love relationships and relationships between friends. During Act $ Scene 1 we see these relationships change and be destroyed. It is a key scene for many characters as everything changes from the start of the play. As at the start of the play we see a relationship blossom between Claudio and Hero. While Claudio’s best friend Benedick and Hero’s cousin Beatrice are far from a relationships as possible, as the constantly make witty remarks towards each other.…
Humour has a very important role in Romeo and Juliet as it creates a vast array of emotions and prepares the audience/reader for more serious and less humorous events to come later on in the play. The most obvious form of humour that is evident in the play is the use of puns, jokes and ironic comments. These forms of humor are…
In William Shakespeare’s play Romeo and Juliet, Juliet speaks of her love for Romeo to herself on her balcony in Act 2, Scene 2. Juliet’s obedience to her family is violated when she falls in love with Romeo Montague instead of County Paris. In Juliet’s soliloquy, she ponders “’tis but thy name that is my enemy,” (2.2.38) meaning a name is a meaningless title in the way of her love. Juliet’s use of personification enhances the stupidity of the feud between the Montagues and the Capulets because a name is restraining her love. Upon meeting Romeo, Juliet is able to see past Romeo’s name and view Romeo as a person not the enemy. Juliet realizes Romeo would still be the same without the name Montague and leads her to the question, “What’s in a name? That which we call a rose/ By any word would smell as sweet,” (2.2.43-44). Juliet reveals through the metaphor Romeo’s true identity has a stronger effect than a name. The effect is so strong it causes Juliet to disregard the thoughts of her family. She wills Romeo to “doff thy name” and in return she will rid herself of “thy name, which is no part of thee.” (2.2.48). Juliet offers herself to Romeo, to turn her back on her family, and to be with him. The theme is expressed of suffering love that cannot be because of her families’s rejection of a title in a person’s name. Juliet realizes her love is stronger than a title that her parents falsely taught her defined a person.…
Who or What do you think is most to blame for the tragedy of Romeo and Juliet? Explain your answer with reference to the play.…
‘Romeo and Juliet’ is a play wherein laid a tragedy, written by Shakespeare featuring two star cross’d lover. Despite the fact that it's suppose to be a love story, the prologue, written in the form of a sonnet, emits a heavy, sombre atmosphere and foreshadows the rest of the play, focusing on the negative aspects of love and outlining the tragic outcome of such an emotion – rejecting the idea that love overcomes all that the typical love story undertakes. The sonnet contains alternate rhyming couplets and an iambic pentameter which would provide comfort for the Elizabethan audience as they would find familiarity in such a rhythm. It sets forth a scene of dramatic irony for the characters as Romeo and Juliet is oblivious to the consequences of their simple love when the audience themselves had been enlightened. The sonnet began with informing us that the play would be about ‘two households, both alike in dignity’ which meant that they are both similar in terms of their high status and noble birth. Perhaps this would appeal to the Elizabethan audience as humans usually take joy in higher beings' fall from grace. The phrase ‘ancient grudge’ implies that their adversity of the other were so old that the reason for their hatred had already been forgotten – they’re only now fighting for the sake of it. This increases the play’s tragedy as the ‘children’s end’, which emphasis on their innocent youth, could’ve been avoided if not for the two households fruitless affray.…
Imagine your driving down eleven mile in your brand new Mustang and this careless, reckless teenager is texting and driving and hits your car and wrecks it. You were driving safely with your new car and now because some careless teenager is not taking driving seriously and you have to pay for it. Do you think sixteen year olds are responsible enough to take on the task of driving at that early of an age? Sixteen year olds are too young to take on the responsibly of driving because teens are irresponsible, they're not mature enough, and teens are more likely to drive recklessly.…
Like a lot of other mother daughter relationships, Lady Capulet and her daughter clearly have a troubled one. The relationship between Lady Capulet and Juliet are strained and distant. Lady Capulet does try and make an effort to reach out to her daughter now that she is old enough to get married, but it's obvious that Juliet's closest bond is with the Nurse because she is the one that Juliet tells everything to. Lady Capulet never even comes close to challenging that. If Juliet was as close to her mother as she was with the Nurse she would have no problem telling her about Romeo and their marriage.…