A pair of star-cross'd lovers take their life;
Prologue. 5-6
Here's much to do with hate, but more with love.
Why, then, O brawling love! o loving hate!
Act 1. Scene 1. 175-176
How stands your disposition to be married?
Juliet: It is an honor that I dream not of.
Act 1. Scene 3. 65-66
My only love sprung from my only hate!
Act 1. Scene 5. 138
Deny thy father and refuse thy name;
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.
Romeo: [Aside.] Shall I hear more, or shall I speak at this?
Juliet: 'Tis but thy name that is my enemy;
Act 2. Scene 2. 34-38
The final crucial point that Baz uses many techniques to help understanding is the final scene. Baz Luhrmann intended to make destiny a believable reason for Romeo and Juliet’s death. He sets the scene at a church filled with lit candles and large crosses. To symbolise a higher power is in play. High angle shots are used to amplify this idea. As if to say that this was an evitable ending between Romeo and Juliet he uses those. The fact that the director brought religious aspects to his use of props and high angle shots creates a believable ending that could not be avoided for it was their destiny. Death seemed believable and inevitable at this point.
Youth and age are in conflict in Romeo and Juliet. This conflict affects all of the characters in some way: The most deeply affected characters are Romeo and Juliet, who both commit a double suicide because of the failure of their families to accept their love for each other. The families are consumed with a single-minded hatred of each other that surpasses all reason.
There is a lot of conflict in Romeo and Juliet including physical conflict Mercutio Vs Tybalt Mental conflict Juliet Vs the Nurse
Psychological conflict Samson and Gregory Vs the Montague's Emotional conflict Juliet Vs Lord Capulet Hatred conflict Capulet's Vs