While the store owner’s facial expressions mostly reflect a slight confusion and anxiousness, Chigurh primarily maintains a rather stern and forbidding demeanor. Moreover, the architectural framing of the window behind the store owner literally provides a window into the background of the scene. While the conversation is initially filmed with either Chigurh or the store owner as the subject of the shot in the middle ground and the back of the other in the foreground, the scene is then switched to having a point of view angle of either Chigurh or the store owner from the perspective of the other. This marks another transition in the tone of the conversation, as the store owner desperately tries to close his store. The scene then switches again the the previous format, before going back to the point of view angle again as Chigurh confronts the store owner about his marrying into the house he now lives
While the store owner’s facial expressions mostly reflect a slight confusion and anxiousness, Chigurh primarily maintains a rather stern and forbidding demeanor. Moreover, the architectural framing of the window behind the store owner literally provides a window into the background of the scene. While the conversation is initially filmed with either Chigurh or the store owner as the subject of the shot in the middle ground and the back of the other in the foreground, the scene is then switched to having a point of view angle of either Chigurh or the store owner from the perspective of the other. This marks another transition in the tone of the conversation, as the store owner desperately tries to close his store. The scene then switches again the the previous format, before going back to the point of view angle again as Chigurh confronts the store owner about his marrying into the house he now lives