Amy Cunningham
After smiling brilliantly for nearly four decades, I now find myself trying to quit. Or, at the very least, seeking to lower the wattage a bit.
Not everyone I know is keen on this. My smile has gleamed like a cheap plastic night-light so long and so reliably that certain friends and relatives worry that my mood will darken the moment my smile dims. "Gee," one says, "I associate you with your smile. It's the essence of you. I should think you'd want to smile more!" But the people who love me best agree that my smile which springs forth no matter where I am or how I feel-hasn't been serving me well. Said my husband recently, "Your smiling face and unthreatening demeanor make people like you in a fuzzy way, but that doesn't seen'; to be what you're after these days."
Smiles are not the small and innocuous things they appear to be: Too many of us smile in lieu of showing what's really on our minds. Indeed, the success of the women's movement might be measured by the sincerity-and lack of it-in our smiles. Despite all the work we American women have done to get and maintain full legal control of our bodies, not to mention our destinies, we still don't seem to be fully in charge of a couple of small muscle groups in our faces.
We smile so often and so promiscuously-when we're angry, when we're tense, when we're with children, when we're being photographed, when we're interviewing for a job, when we're meeting candidates to employ-that the Smiling Woman has become a peculiarly American archetype. This isn't entirely a bad thing, of course. A smile lightens the load, diffuses unpleasantness, redistributes nervous tension. Women doctors smile more than their male counterparts, studies show, and are better liked by their patients.
Oscar Wilde's old saw that "a woman's face is her work of fiction" is often quoted to remind us that what's on the surface may have little connection to what we're feeling. What is it in our culture that keeps