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A Film Analysis of Inception

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A Film Analysis of Inception
A Film Analysis of Inception

If “true inspiration is impossible to fake,” explains a character in Christopher Nolan’s existentialist heist film Inception and If that’s the case, then Inception is one of the realest films ever made. In July of 2012 Nolan crafted a movie that’s beyond brilliant and layered both narratively and thematically. It requires the audience to take in a collection of rules, exceptions, locations, jobs, and abilities in order to understand the text, let alone the fascinating of the subtext. Nolan’s magnum opus is his first major blockbuster in over a decade that demanded an intense viewer concentration. It raised thoughtful and complex ideas, wrapping everything in a breathlessly exciting action film. Inception may be complicated, but simply put it’s one of the best movies of 2010. Inception requires so much exposition that a lesser director would have forced theaters to distribute pamphlets to audience members in order to explain the complicated world he’s developed. The movie centers on a team of individuals led by an “extractor” named Dom Cobb (Leonardo DiCaprio) who is a thief who commits corporate espionage by infiltrating the subconscious mind of his target. When he is offered a chance to regain his old life as payment for a task considered to be impossible. He constructs a dream of a high value target and used this dreams to implant an idea so the target will make a decision beneficial to the individual who hired Dom Cobb. To give a full description of this movie would almost take as long as watching the movie it self but that is why I choose to do a review on Inception. This creation of Director Nolan and Wally Pfister is both gripping and complex in the way that they apply the uses of lighting and angles, CGI, music, and mise en scene to create a master piece that has yet to be imitated or duplicated. To know the movie, one needs to know who wrote it, produced it, and directed it. He was born in London, England in



References: Allers, R. &Hahn, D. (1994). The Lion King. United States: Walt Disney. Breznican, A. (2010). “With Inception, Chris Nolan’s head games continue.” USA Today. Retrieved August 28, 2012. Donen, S Goodykoontz, B & Jacobs, C. (2011). Film: From Watching to Seeing. Retrieved from http://content.ashford.edu Lehrer, J. (2010). The Neuroscience of Inception. Wired, July 26, 2010. Retrieved August 28, 2012. Nolan, C. & Thomas, E. (2010). Inception. United States: Legendary Pictures. Paul, I. (2010). Desiring-Machines in American Cinema: What Inception tells us about our experience of reality and film. Senses of Cinema, Issue 56. Retrieved August 28, 2012. Spielberg, S. &Zanuck, R. (1975). Jaws. United States: Universal Pictures. Turner, B. & Turner, T. (1996). 3rd Rock from the Sun. United States: Carsey Werner Company.

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