ﺍﻷﻴﺩﻴﻭﻟﻭﺠﻲ ﻭﺍﻟﺠﻤﺎﻟﻲ ﻓﻲ ﻤﺠﻤﻭﻋﺔ "ﺍﻟﻭﺠﻪ ﻭﺍﻟﻌﺠﻴﺯﺓ

‫ﻤﺠﻠﺔ ﺠﺎﻤﻌﺔ ﺍﻷﻗﺼﻰ )ﺴﻠﺴﻠﺔ ﺍﻟﻌﻠﻭﻡ ﺍﻹﻨﺴﺎﻨﻴﺔ( ﺍﻟﻤﺠﻠﺩ ﺍﻟﺜﺎﻟﺙ ﻋﺸﺭ، ﺍﻟﻌﺩﺩ ﺍﻟﺜﺎﻨﻲ، ﺹ72-85، ﻴﻭﻨﻴﻭ 9002‬

‫7413-0702 ‪ISSN‬‬

‫ﺍﻷﻴﺩﻴﻭﻟﻭﺠﻲ ﻭﺍﻟﺠﻤﺎﻟﻲ ﻓﻲ ﻤﺠﻤﻭﻋﺔ "ﺍﻟﻭﺠﻪ ﻭﺍﻟﻌﺠﻴﺯﺓ"‬
‫ﺩ. ﺨﻀﺭ ﻋﻁﻴﺔ ﻤﺤﺠﺯ‬

‫ﺩﺭﺍﺴﺔ ﻓﻲ ﺜﻼﺜﺔ ﻨﺼﻭﺹ ﻗﺼﺼﻴﺔ ﻟﻠﻜﺎﺘﺏ ﺃﺤﻤﺩ ﺤﺴﻴﻥ‬ ‫ﺍﻟﻤﻠﺨﺹ‬

‫ﺍﻟﺩﺭﺍﺴﺔ ﺍﻟﺸﻜﻼﻨﻴﺔ ﺍﻟﺒﺤﺘﺔ، ﺍﻟﺫﻱ ﺍﻨﺘﺸﺭ ﻁﻭﺍل ﺍﻟﻌﻘﺩﻴﻥ ﺍﻟﺴﺎﺒﻘﻴﻥ، ﻭﻤﻨﺎﻫﺞ ﺍﻟﻨﻘﺩ ﺍﻟﺘﺎﺭﻴﺨﻲ، ﺍﻟﺘﻲ ﺒﺩﺃﺕ‬ ‫ﺍﻵﻥ ﺒﺎﻟﻌﻭﺩﺓ ﺘﺤﺕ ﺍﺴﻡ ﺍﻟﻨﻘﺩ ﺍﻟﺜﻘﺎﻓﻲ، ﺍﻟﻤﻬﺘﻡ ﺒﺘﺤﻠﻴل ﺍﻟﻤﺤﺘﻭﻯ ﺍﻷﻴﺩﻴﻭﻟﻭﺠﻲ ﻟﻠﻨﺼﻭﺹ. ﻓﺎﻷﻴﺩﻴﻭﻟﻭﺠﻴﺎ‬ ‫ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻟﻤﻁﺎﻑ ﻫﻲ ﺸﻜل، ﺇﻟﻰ ﺠﺎﻨﺏ ﻜﻭﻨﻬﺎ ﻤﺤﺘﻭﻯ ـ ﻓﻜل ﻤﻨﻅﻭﻤﺔ ﺸﻜل ـ ﻭﻨﺤﻥ ﺤﻴﻥ ﻨﺘﺤﺩﺙ‬ ‫ﻋﻥ ﻋﻼﻗﺔ ﺍﻹﺩﺭﺍﻙ ﺍﻟﺠﻤﺎﻟﻲ ﺒﺎﻷﻴﺩﻴﻭﻟﻭﺠﻴﺎ، ﻨﺩﺭﻙ ﺃﻨﻨﺎ ﺒﻬﺫﺍ ﺇﻨﻤﺎ ﻨﺘﺤﺩﺙ ﻋﻥ ﻋﻨﺼﺭﻴﻥ ﻓـﻲ ﻋﻤﻠﻴـﺔ‬ ‫ﺍﻟﺘﻔﺎﻋل، ﺒﻴﻥ ﻋﻤﻠﻴﺘﻲ ﺍﻻﺴﺘﺠﺎﺒﺔ ﺍﻟﺠﻤﺎﻟﻴﺔ ﻭﺍﻻﺴﺘﺠﺎﺒﺔ ﺍﻷﻴﺩﻴﻭﻟﻭﺠﻴﺔ"، ﻜﻤﺎ ﻴﻘـﻭل ﺘﻴـﺭﻱ ﺇﻴﺠﻠﺘـﻭﻥ‬ ‫ﻭﻫﺫﻩ ﺍﻟﻤﺎﺩﺓ ﺇﺫ ﺘﺤﺎﻭل ﺍﻻﺴﺘﻔﺎﺩﺓ ﻤﻥ ﺃﺩﻭﺍﺕ ﻤﻨﺎﻫﺞ ﺍﻟﺤﺩﺍﺜﺔ ﻭﻤﺎ ﺒﻌﺩﻫﺎ، ﺇﻨﻤﺎ ﺘﻬـﺩﻑ ﺇﻟـﻰ‬

‫ﺘﺤﺎﻭل ﻫﺫﻩ ﺍﻟﺩﺭﺍﺴﺔ ﺍﻟﺘﻁﺒﻴﻘﻴﺔ ﺍﻟﻤﺯﺝ ﺒﻴﻥ ﻤﻨﻬﺠﻴﻥ، ﻓﻲ ﺘﻔﺴﻴﺭ ﺍﻟﻨﺼﻭﺹ ﺍﻷﺩﺒﻴﺔ: ﻤـﻨﻬﺞ‬

‫ﻭﺍﺤﺩﺓ. "ﺇﻥ ﺍﻟﻤﻔﻬﻭﻡ ﺍﻟﺴﺎﺌﺩ ﺒﻴﻥ ﺍﻟﻨﺎﺱ ﻋﻥ ﺍﻻﺴﺘﺠﺎﺒﺔ ﺍﻟﺠﻤﺎﻟﻴﺔ ﻴﻤﻜﻥ ﺘﺤﻠﻴﻠﻪ، ﺒﻭﺼﻔﻪ ﻨﻭﻋﺎ ﺨﺎﺼﺎ ﻤﻥ‬ ‫ﹰ‬ ‫ﹰ‬ ‫)ﺒﺭﻭﻙ ﻭﺁﺨﺭﻭﻥ، 0002: 53ـ63(.‬

‫ﺍﻟﻭﺼﻭل ﺇﻟﻰ ﺘﺤﻠﻴل ﻨﺼﻲ ﺃﻜﺜﺭ ﺸﻤﻭﻻ. ﻓﻠﻘﺩ ﻋﻠﻤﻨﺎ ﺒﺄﻥ "ﺩﺭﺍﺴﺔ ﺍﻟﺨﻁﺎﺏ ﻓﻲ ﺤﺩ ﺫﺍﺘﻪ، ﺒﺩﻭﻥ ﻤﻌﺭﻓﺔ‬ ‫ﹰ‬ ‫ﻭﺍﻟﺫﻱ ﻴﺤﺩﺩﻩ" )ﺒﺎﺨﺘﻴﻥ، 7991: 36(.‬

‫ﻨﺤﻭ ﺃﻱ ﺸﻲﺀ ﻴﺘﻁﻠﻊ ﺨﺎﺭﺠﻪ، ﻫﻲ ﻓﻲ ﻤﺜل ﻋﺒﺜﻴﺔ ﺃﺨﻼﻗﻲ، ﺒﻌﻴﺩﺍ ﻋﻥ ﺍﻟﻭﺍﻗﻊ ﺍﻟﺫﻱ ﻴﻭﺠﺩ ﻤﺜﺒﺘﺎ ﻋﻠﻴـﻪ‬ ‫ﹰ‬ ‫ﹰ‬

‫‪Abstract‬‬
‫‪This study is trying to combine methodology, in the interpretation of‬‬ ‫‪literary texts: a study Formalism Pure, which spread throughout the past two‬‬ ‫‪decades, and The historical criticism methods, which have begun now to‬‬ ‫‪return under the name of cultural criticism, which interested in analysing the‬‬ ‫‪ideological content of the texts. Ideology, ultimately, is a form, in addition‬‬ ‫‪to being a content. Every system is a form. and when we talk about the‬‬ ‫‪relationship between aesthetic perception and ideology, we realize that we‬‬ ‫‪are talking about two elements in a single operation. The prevailing‬‬ ‫‪perception among people from the aesthetic response could be analysed, as‬‬ ‫‪a special kind of interaction between the processes of responding