Judith Slaying Holofernes Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo‚ Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith‚ in a time when women had few rights‚ as an allegory for female dominance. In comparison with other contemporary versions‚ the composition‚ dramatic style‚ and emotions of the characters present a violently feminist
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died in 1653. Judith Slaying Holofernes is an Italian painting by Artemisia created in the baroque period‚ it was officially completed within 1614 to about 1620. She did it on an Oil Canvas. The dimensions of this Oil Canvas are 158.8 cm × 125.5 cm ((6’ 6" X 5’ 4") 78.33 in × 64.13 in). The location of this painting is in a museum called “National Museum of Capodimonte‚ Naples”. Her work was depicted by many artists‚ including these five artists‚ Giorgione‚ Titian‚ Rembrandt‚ Peter Paul Rubens and
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The depiction of Judith slaying Holofernes is not an untouched scene; it is very likely that other artist’s portrayals of Judith slaying Holofernes inspired Gentileschi’s detailed painting. Carvaggio painted his rendition of Judith Beheading Holofernes two decades prior to Gentileschi’s. His work was on permanent display in Palazzo Barberini in Rome‚ Italy; it is highly likely that Artemisia Gentileschi was inspired to present her own rendition of Judith that fit her feminist ideals in response to
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(e.g. How did the work express or criticize the history‚ society and culture of its time? Was it significant within a particular art movement? If so‚ why? Did the work inspire other works by other artists? If so‚ in what ways? 4. Analyse and compare at least two accounts/interpretations of the work by art historians. (e.g. how has the work been ‘positioned’ within a particular movement or history or art? If so‚ why? Have opinions about‚ and the meaning of the work changed over time? Do the authors
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ability in the male dominated society (Brash 2014) She was first taught by her father then her father’s friend Agostino Tassi‚ who later raped Artemisa and greatly influenced her work which can be seen in the painting Judith Slaying Holofernes. Judith Slaying Holofernes is her most
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Judith and Holofernes The story of Judith and Holofernes from the book of Vulgate demonstrates the extraordinary power a woman can possess. Judith‚ the heroine of the story‚ saves her town from destruction as the author conveys her strength‚ faith‚ and determination throughout her quest against the tyrannical Holofernes by using various archetypes and themes. Before the actual story of Judith begins‚ the author provides some background information. The exposition is set in the great city of Ninevah
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Topic of research: The comparison of the portrayal of the females figures within the paintings “Judith slaying Holofernes” by Caravaggio and Artemisia. Caravaggio (1571–1610)‚ was the greatest and most influential painter of the Baroque style. He was also a quick-tempered Bohemian who was often jailed for brawling and was forced to flee from the law and his enemies‚ escaping to Naples‚ Malta‚ and Sicily at various times. His "travels" helped to spread his extraordinary style‚ which was soon imitated
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Judith beheading Holofernes 1. Painted by the Italian artist Caravaggio‚ in 1598 around the 16th century. During the art movement of Baroque period. 2. It is a history painting 3. The media: Oil on canvas / The method: The lighting in this painting is dramatic‚ as though a single flame is illuminating the entire scene‚ causing the shadows to recede far into the background and the highlights to protrude outwards. This is most evident in the red curtain behind Holofernes. The techniques:
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visual rather than tactile perception. Between 1420 until early 1530s Donatello continued to explore different techniques and possibilities on marble reliefs‚ his most developed work during this time was the Ascension with Christ Giving the Keys to Saint Peter. It was an exquisitely carved piece and its full elegant beauty can only be seen in a strong raking light (Web Art). At
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Judith – Old English and Vulgate Versions Upon looking closely at the Old English and Vulgate versions of Judith‚ one can catch a glimpse of how culture was during the time they were written by comparing and contrasting the elements of the story that are presented and modified. The distinct differences that can be found between the Old English and the vulgate versions of Judith provide a clear view of what the Anglo-Saxons considered to be important‚ and what they felt required respect. When comparing
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