MUAR 211 Concert Report 1 McGill Baroque Orchestra and McGill Cappella Antica I attended the concert of McGill Baroque Orchestra and McGill Cappella Antica on Wednesday‚ February 19‚ 2014‚ at 7:30 p.m. What special about this concert was the guest conductor and solo violinist Adrian Butterfield. The performed pieces were Welcome to all the pleasures‚ Leclair’s Violin Concerto in A major‚ Locatelli’s Introduzione teatrale in G major‚ C. P. E. Bach’s Sinfonia in C major and My heart is inditing
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at the young age of three how to play the piano and by the age of five had mastered multiple instruments. At the young age of six he was touring European concert halls and opera houses dazzling the audiences with his works that included sonatas‚ symphonies‚ masses‚ concertos and operas‚ marked by vivid emotion and sophisticated textures. His timing to erupt into the classical music scene was perfect because the music of the Renaissance and Baroque periods were transitioning toward more full-bodied
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her series in the Metropolitan Museum of Art “Concerts with Commentary”. She was often referred to as “America’s First Lady of the Piano”. Since then she has played all over the USA with many orchestras including the National Symphony‚ Boston Symphony Orchestra‚ Cleveland Orchestra and the Indianapolis Symphony. She has also played in many foreign countries‚ giving tours in Japan‚ Holland‚ and Germany‚ among others. She has also earned a reputation as a specialist in Scriabin‚ having recorded all ten
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Fanfare for the Common Man The piece was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens. It was inspired in part by a famous speech made earlier in the same ear where vice president Henry A. I couldn’t relate to this piece‚ it didn’t resonate with me. Berlioz “ Symphonie fantastique IV ( March to the scaffold) This piece reminds me of marching band at high school pep rally. The sound of the timpani also remindsof heavy footsteps of an army. The song starts
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Jan Doe MUL 1010 Professor John‚ Doe 20 Oct. 2013 Concert Review: “The Orlando Philharmonic Orchestra” On October 19‚ 2013 I sought out to listen to some classical music for my review for class. It was a pleasure to have found the Orlando Philharmonic Orchestra at the St. Luke’s Lutheran Church in Oviedo‚ FL‚ a part of St. Luke’s concert series of 2013-14 that has been held in the last nineteen years here in Oviedo‚ FL. This free event that’s held each year at St. Luke church holds about three
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many famous composers. Beethoven‚ Mozart‚ and Haydn to name a few. This period had many musical forms‚ such as‚ chamber music‚ opera‚ orchestra. The Classical Period had many characteristics. This period also focused on instrumentation. Most of the instruments used were found in orchestras. Instruments such as pianos and organs were used. In symphony orchestras‚ instruments in percussion‚ woodwind‚ and strings were also used. Instruments dominated this era‚ and the rhythm was predictable. With
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actually go see a concert in person. So I watched a video on youtube since that was an option for this assignment. On Youtube‚ I watched an orchestral concert that was performed by the Pittsburgh Symphony Orchestra. From what I saw‚ the string instruments that were being played by the Pittsburgh Symphony Orchestra in this particular video are; the violin‚ the violas‚ the cellos‚ the double bass‚ and the harp. And the wind instruments that were being played are
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World War II‚ and the Great Depression. It was after the defeat of the Nazis that Hartmann started revising many of his works. Symphony No. 1 was one of them. The first symphony‚ “The Search for a Requiem‚” gives evidence to the importance of Mahler. [ (Morgan‚ 1994) ] Symphony No. 1‚ “Essay for a requiem” was first written in 1936 as and solo alto piece with orchestra. Poems from Walt Whitman were used for the text of each movement. The work was later renamed “Our Life: Symphonic Fragment” and
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that enabled the shawm players to produce greater volume. The latter develop more than any other‚ was responsible for bringing the hautbois indoors where‚ thanks to its more refined sound and style of playing‚ it took up a permanent place in the orchestra. Classical period brought upon an oboe whose bore was gradually narrowed‚ and the instrument became outfitted with several keys‚ among them were those for the notes D#‚ F‚ and G#. A key similar to the modern octave key was also added called the
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Musical Style and Innovations Beethoven is viewed as a transitional figure between the Classical and Romantic eras of musical history. Above all‚ his works distinguish themselves from those of any prior composer through his creation of large‚ extended architectonic structures characterized by the extensive development of musical material‚ themes‚ and motifs‚ usually by means of "modulation"‚ that is‚ a change in the feeling of the home key‚ through a variety of keys or harmonic regions. Although
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