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    Hermann Hesse's Siddhartha

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    Life is a beautifully written song‚ composed with a melody unlike any other before it. Each work of art is shaped differently with each passing note‚ giving it a slightly different tune‚ orchestrating a song with its own alluring unique elegance. The melody of each song is ever changing as new experiences are made‚ much like Siddhartha’s number is being developed throughout his decisions‚ relationships‚ and experiences in Hermann Hesse’s novel Siddhartha. The environment where the song is developed

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    Asia Infrastructure Investment Bank and the Silk Road fund‚ President Xi Jinping is hoping this initiative will provide an innovative method of participation and mutual effort regarding global governance. President Jinping proposed this to promote harmony in the face of simmering geopolitical problems and a diminishing economic climate that seems to have spread worldwide. China’s economic growth might give the world its only salvation‚ contributing an annual GDP increase of 7% that accounts for over

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    orchestra and chorus enter‚ repeatedly crying out dona‚ dona nobis pacem (grant us peace.) The drum beats and trumpet calls swell as Part II opens‚ using Whitman’s poem Beat! beat! drums!‚ Mostly parallel fourths are used throughout the piece reinforcing the warlike character of movement. Part III‚ opens with a beautiful‚ peaceful melody featuring a solo violin obligato. The text is Whitman’s wonderful poem of consolation‚ Reconciliation‚ sung first by the baritone solo and then by the chorus. Part

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    remarkable skill in poisons and potions‚ that aspect is not as crucial and significant as in Seneca’s Medea. The two poets offer contrasting depictions and characterizations of Medea‚ the most prominent of which are the depiction of Medea herself and the Chorus’ actions towards her. Euripides created a Greek tragedy in which a devoted wife is wronged by her husband and so‚ in an act of revenge‚ murders his new bride‚ his father-in-law‚ and‚ unthinkably‚ her own two children. The story begins with the

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    Euripides Metamorphosis

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    The appearance of chorus is mandatory in Greek plays. In the plays of Sophocles the chorus continually present on the stage. In Euripides the picture is quite different. His plays are relatively complex. He experienced difficulties in retaining chorus. In Alcestis The entry of the chorus‚ or the "parodos" sequence‚ follows: a chorus of fifteen men of Pherae‚ led by a "coryphaeus" (chorus-leader)‚ enter the orchestra of the theatre. The chorus-leader complains that they are in a

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    99 Lutbalons Meaning

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    The format of this song rather than a tradition verse one‚ chorus‚ verse two‚ chorus‚ bridge then finally ending with another chorus. The way this songs works is somewhat different as it basically starts with what is both a chorus and a verse. This is due to its story like form. With it basically ending up as a song poem with each chorus/verse being a new section in the story. It has five sections in total each following the same melodic pattern

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    Creon's Speech

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    Creon sparks off the Greek tragedy. Polyneices and Eteocles‚ brothers of Antigone killed each other during their fateful battle for the Theban throne and Creon‚ as the closest surviving kinsman‚ rules as the Theban king. Creon then approaches the chorus of elders privately and pronounces his first speech‚ wishing to draw himself support from the group of elite elders to prevent further mutiny against his rule among the Theban public. Through declaring his legitimacy as a ruler‚ establishing his authority

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    which she calls ’my city’ while her husband Agamemnon is away at Troy‚ and the Chorus of Argive Elders show her ’reverence’. She manages to persuade Agamemnon to ’give way’ and walk on the tapestry she spreads out for him showing she has power over him and in the end her ’strength of heart’ leads to her being able to ’strike’ Agamemnon down and kill him. Cassandra also is shown to be strong‚ but in a different way. The Chorus call her ’much enduring’ and say her ’heart is brave’ showing that Aeschylus

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    F Don’t care what is written in your history G C As long as you’re here with me Chorus 1 F I don’t care who you are C Where you’re from Am What you did G As long as you love

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    addressing the audience‚ in particular the Chorus‚ for the first time and also more importantly‚ justifying his proclamation of the two adversely different treatments to both brothers of royal Greek blood. His character is reflected in his speech‚ colliding with that of Antigone. Also‚ with the use of dramatic irony and structuring‚ his speech creates an atmosphere of tension. In general‚ Creon utilizes rhetoric techniques to persuade his audience‚ the Chorus. In his speech‚ Creon employs the use of

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