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Artist Public Appearance Agreement

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Artist Public Appearance Agreement
The topic I picked for this research paper is "Artist Public Appearance Agreement". In this research paper, I will be explaining the process leading up to retaining the artist for the performance or appearance and what the agreement could entail. Such things as selecting the artist to the workings of the contract with the artist or artist's manager.
First, we need to start from where agreement comes into place. As a concert producer, you need to think about selecting a artist or artists for the performance. Also the date in which you wish to have the artist make the appearance. You will need to pick a date that will give you enough time to work out all the bugs and prepare accordingly for this event. You need to think of what your goals are for doing this event and what you would like to get out with in the end. There are many different types of shows and the artist you pick should meet the requirements for the event. If putting on a fund-raising event find out from friends and family what they would enjoy seeing. Attend different shows, festivals, these would be a great way in seeing possible artists that would be suitable for your event. The artist that you pick will act as your advertisement, it is there name that is going to fill the seats. With this in mind you should pick a artist that will contribute completely to the goals you have set forth to achieve with this event. Also the artist sound, style and presence should fit the direction you are trying to take. But also as a concert producer, you should take into consideration the ideas of others. You want others to want to come to the concert and enjoy themselves. You should make a list of artist that you may want to contact, in order of precedence. If you are planning to have many artist on this event you should make a schedule before calling or contacting the artist. You want to be able to describe precisely how your event will be set up and how it will be ran. By doing this you will be

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