This symbol tracks the boys connection to themselves and civilization as they progressively become more savage, and represents the boys hiding from themselves and civilization’s morals and values. First after painting their faces, the mask allows them to feel more protected while killing a pig, then later allows them to commit much more harmful, savage acts. Golding writes, “...the mask was a thing on its own, behind which Jack hid, liberated from shame and self consciousness” (Golding 64). In the very beginning of the novel, Jack is not willing or able to kill a pig for meat; when he discovers painting his face, however, he no longer feels the connection to himself that allowed him to feel his natural guilt previously. This disconnection allows him to, eventually, brutally kill pigs. When all of Jack’s tribe wears the mask, they unify in their disconnection with themselves, allowing them to kill their fellow boy, Simon. This symbol allows the reader to see the boys’ loss of identity and their disconnection with themselves, their morals, and society. If it were not for the symbol the mask, the boys would have felt too great a tie to their and society’s morals to commit any of the hanyous actions they did that caused all order and civilization to be…