honesty. Just as mentioned in the book, "there could be no justice anywhere if people in authority were deaf to the history of human sorrow" (pg. 367). In other words, slave owners should've allowed their slaves to speak out concerning the pain and suffering that they went through. Unfortunately, in most cases, this was not allowed; however, Wheatley was given the opportunity to speak out and she took it. In fact, Henry Louis Gates, Jr. has argued, "Wheatley launched two traditions at once- the black American literary tradition and the black woman's literary tradition" (pg. 367). By reading these selections, I was given a glimpse into Wheatley's world and the way she saw it.
Her work proved that she was a dedicated writer that believed without a shadow of a doubt in including the reality of situations and painting picturesque images. I especially liked the way her wording captivated me in the sense that with the shortest phrase, a major scene was envisioned. For example, in "On the Death of the Rev. Mr. George Whitefield", she wrote, "thy sermons in unequaled accents flowed, and every bosom with devotion glowed, thou didst in strains of eloquence refined inflame the heart, and captivate the mind" (pg. 368). With these stanzas, I immediately saw a preacher that touched several people's hearts with his sermons and it only made them more loving, caring, and open-minded. It fascinated the congregation. His words were mesmerizing, hypnotizing, and enchanting to their ears, hearts, and souls. Then later on Wheatley says, "behold the prophet in his towering flight" (pg. 369) which I interpreted to mean that the Reverend had passed away and was on a magical journey to heaven. But there was no need for me to guess, because Wheatley assured me of its meaning with the very next
line.