Photography
newspaper editors to print a photo trilogy showing the tragic moments leading up to the death of a young mother. At the time the photos were printed, in over four hundred newspapers across the nation, there was great controversy. Readers expressed in phone calls and letters to the editor. Some editors chose not to print the photos at all.
Ephron argued that since death is part of life, readers should not be sheltered from it. She asked why photos from fatal car accidents show the wrecked vehicles and not the victims. Mangled steel is worthless; a human life is priceless. Why not capture on film the loss of that which is truly precious? (Ephron, www.haverford.edu/)
The so-named Boston Photographs were taken in 1975 by photojournalist Stanley Forman.. I made all kinds of pictures because I thought it would be a good rescue shot over the ladder, (Ephron, 433) Forman said in explaining why he took the pictures. In the first frame, there is a fireman with his arm around a woman he is attempting to rescue from a burning apartment building. The woman clings to her child. The fireman is reaching for the rescue ladder an arm s length away. It appears that everything will be all right, that the woman and her child will be saved. This picture, by itself, does not foreshadow the tragedy to come. It is a dramatic photograph, to be certain, but one that would assure the viewer that confidence in the bravery and skills of firefighters is not misplaced.
The second photograph shows the fire escape pulling away from the building. Whereas the first photo makes the reader want to cheer, the second one reminds us that something can go wrong. The rescue is not successful until everyone is on the ground and safely away from the burning building. The photo shows, too, that the firefighter did everything he was supposed to do. His training prepared him for a moment such as this. More than anything else, this photo shows that courage and skill are not always enough. No one could have
Ephron argued that since death is part of life, readers should not be sheltered from it. She asked why photos from fatal car accidents show the wrecked vehicles and not the victims. Mangled steel is worthless; a human life is priceless. Why not capture on film the loss of that which is truly precious? (Ephron, www.haverford.edu/)
The so-named Boston Photographs were taken in 1975 by photojournalist Stanley Forman.. I made all kinds of pictures because I thought it would be a good rescue shot over the ladder, (Ephron, 433) Forman said in explaining why he took the pictures. In the first frame, there is a fireman with his arm around a woman he is attempting to rescue from a burning apartment building. The woman clings to her child. The fireman is reaching for the rescue ladder an arm s length away. It appears that everything will be all right, that the woman and her child will be saved. This picture, by itself, does not foreshadow the tragedy to come. It is a dramatic photograph, to be certain, but one that would assure the viewer that confidence in the bravery and skills of firefighters is not misplaced.
The second photograph shows the fire escape pulling away from the building. Whereas the first photo makes the reader want to cheer, the second one reminds us that something can go wrong. The rescue is not successful until everyone is on the ground and safely away from the burning building. The photo shows, too, that the firefighter did everything he was supposed to do. His training prepared him for a moment such as this. More than anything else, this photo shows that courage and skill are not always enough. No one could have