1.1 Explain each of the areas of learning and development and how these are interdependent There are seven areas of learning and development set out by the EYFS‚ each are important and interconnects there are three prime and four specific areas. The prime are the main area of development from birth to 2 years and important for firing children’s curiosity and enthusiasm and helping them to form relationships. The prime areas are:
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of the play‚ ultimately leading to the deaths of many characters‚ including herself and her husband Othello. Iago’s hatred of women is evident throughout the play and could be part of his motivation to lead Othello to such jealousy. Desdemona and Emilia‚ her waiting lady‚ provide the central conflict for feminist and gender ideas. Women in Othello are portrayed with complexity and an obvious tension between feminist and anti-feminist ideals. Desdemona‚ Othello’s wife and Brabantio’s daughter‚
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secure high standards of behaviour and attendance Support the development of new and emerging technologies Challenge underperformance at all levels Early Years Co-ordinator Management role in relation to raising achievement for all children in the EYFS Creating and developing
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She had asked why and was responded that he had a headache‚ so she offers to tighten his head with a handkerchief. Othello then proceed to ignore the kind gesture that Desdemona gave him‚ causing the handkerchief to fall on the floor. As they left‚ Emilia has eyed the handkerchief and decided to give it to her husband‚ Iago‚ who yearned for
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The handkerchief actually comes in act 3 and it was the gift from Othello to Desdemona. It is important to Othello because it represents love. Othello is upset that Desdemona gave it to Cassio. The handkerchief is so meaningful to him and his wife‚ so it led Othello to incorrectly think that Desdemona cheated on him. If it was a random object‚ then Othello wouldn’t be suspicious of Desdemona‚ but since it means a lot for him‚ he thinks Desdemona’s action that she gave it to Cassio proves that her
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presents three female characters in Othello‚ however‚ each of these women play a crucial role in developing the plot line. Desdemona‚ Emilia‚ and Bianca are all significant woman in Shakespeare’s Othello‚ but they each play their own important role. Desdemona’s character represents purity and devotion‚ while Emilia’s character models the exact opposite. Emilia represents a witty‚ smart-mouthed woman who is not afraid to let others know what she thinks. The last female‚ Bianca‚ represents
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Hi‚ welcome to silkysteps. You can download a digital copy of the 2012 eyfs here: https://www.education.gov.uk/publica...DFE-00023-2012 and the guidance - children’s development matters here The search page will help find threads already made‚ enter keywords‚ phrase‚ unit num-bers to filter the search and if you’ve access to a level 3 handbook it’ll help guide re-search although editions may detail the 2008 eyfs & documented outcomes of ECM EYMP 2 1.2 - the documented outcomes are
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in the treatment of the majority of women by the men in their lives. William Shakespeare wrote many plays about social issues across Europe‚ and his play Othello was especially focused on the mistreatment of women in England. Though Desdemona and Emilia‚ the two main female figures in Othello‚ have horrific deaths‚ they advance the feminist cause by denying the female stereotypes set by their male counterparts. In Shakespeare’s time‚ men had particular views on women and Shakespeare shows these
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funded a week. Birth to school age. Follow the EYFS. They are registered and inspected every year by Ofsted. Pre-school - Sessional Term time only. Sessions. 2 years - school age. (10 hours funding available in special circumstances for 2 year olds.) 15 hours voucher funded by Government from the term after the child turns 3 years old. Can pay. Run privately or committee run in a multi-use venue ie village hall. Regulated by Ofsted. Follow the EYFS.
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his persuasion and charm‚ lured Susie into his subversive shelter where he raped and murdered her. Lacking compunction‚ he disposes her body into a sinkhole never to be seen again. Likewise‚ Iago feels no sympathy or shame for killing his own wife Emilia. Emilia’s subservient personality towards Iago made
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