Concert Report On Friday‚ December 24‚ 2004 at 20:00 the Presidential Symphony Orchestra performed very impressive "New Year Concert" with fourteen pieces from a range of composers as Johann Strauss‚ Giacomo Puccini‚ Leonard Bernstein‚ Johann Sebastian Bach‚ Pytor Ilyich Tchaikovsky‚ P. Necherporenko‚ Niccolo Paganini and George Gershwin. The program included different kinds of tastes from classic music. Shardad Rohani conducted‚ Murat Tamer as concertmaster‚ Khori Dastoor‚ Janna Kozvik and Andrei
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BTEC in Music Practise (Year 1) MUSIC HISTORY ASSIGNMENT BROADWAY MUSICALS Broadway Musicals When we are talking about the Broadway Musicals‚ we would think about the theatre music. In the very early 20th Century in America‚ the theatre music was booming‚ there were thirty-three legitimate Broadway theatres in New York‚ over 3‚000 professional theatres across the United States‚ and more was going to be built to meet the audience demand. The famous actor was Al Jolson‚ a ‘charismatic performer’
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O’Sullivan Theatre is surrounded by cambered audience seats with five parts separated by four aisles. At the center of the stage‚ a piano for the concert stands there quietly. When spotlight falls on the piano‚ the grace of classical music arises in the audience’s hearts‚ which makes them relaxed and expectant. The first half of the program included two pieces‚ Piano Quartet in E-flat major‚ K. 493 composed by Wolfgang Amadeus Mozart and Die Gebüsche composed by Franz Schubert. The most impressive
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in Pittsburg‚ Pennsylvania‚ on October 13‚ 1926. Originally‚ Brown began as a piano player; he began taking piano lessons at the age of eight. Although he grew up playing piano‚ in high school‚ he wanted to play the trombone‚ but could not afford to buy an instrument. He originally signed up to play the piano in high school‚ but didn’t realize there were 26 other pianists ahead of him. Because there were so many piano players‚ they rotated practices‚ so most days‚ he sat through rehearsal with nothing
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him piano lessons and provided him with the instruction of music theory. Their move to St. Petersburg proved to be a significant milestone is Tchaikovsky’s life. It had set the course for Tchaikovsky’s progress and success in the musical world. From September of 1850 to May of 1859‚ Tchaikovsky attended the School of Jurisprudence. At this boarding school in St. Petersburg‚ he received an excellent education and further pursued his interest in music. During this time‚ he received piano lessons
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musicians. This particular concert was featured the Lysander Trio. This trio consists of Itamar Zorman on the violin‚ Liza Stepanova on the piano‚ and Michael Katz on the cello. These classically trained musicians blew me away with their performance. They started the night with Intermezzo from Goyescas which was written by Enrique Cassado. As beautiful as it was‚ the violin and cello took over this performance‚ which left me craving for more piano. They then continued with a set of pieces titled Around
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Thelonious Monk‚ Lennie Tristano‚ Coleman Hawkins‚ Tony Scott‚ and George Russell. He eventually settled in a regular as part of Bill Evans’ trio along with bassist Scott LaFaro. He played along with Evans’ trio from 1959-1964‚ where he first became prominence. He also appeared on his classics Sunday at the Village Vanguard and Waltz for Debby. After his years with Evans’ trio‚ he left to join forces with Paul Bley and began a long association and relationship with Keith Jarrett in 1966. From there he appeared
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rhythm and words. * Introduction of the program of music in which events or scenes are portrayed by the instruments. * The size of the orchestra is bigger than the classical type The Art Song * A musical composition for solo voice and piano * The accompaniment in the art song serves as the voice as the interpretative partner and it plays as an integral part in the composition Two Forms of Art Song 1. Strophic Form - a song form which uses the same music for stanza of the poem
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defined musical phrases with two or more contrasting themes. 7. How do classic composers handle dynamic changes? It was dramatic‚ and they did not let themselves be held back by terraced dynamics. 8. How is the piano different from the harpsichord? When was the piano invented? When did the piano become more popular than the harpsichord? 9. Was the basso continuo still used in classical music? It was gradually abandoned. 10. What was the size of a classical orchestra? What instruments were usually
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Question #1 History of music from 1650 to 1800 can be described by three major periods‚ the middle Baroque‚ the late Baroque / early Classical‚ and Classical eras. The middle Baroque can be described as a time of developing and standardizing musical forms‚ styles‚ and conventions‚ and then obeying those conventions in the creation of new music. The second era found the undoing of these conventions in two important areas‚ prompting the end of the Baroque and beginning of the Classical era. The final
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