Symphony of the Soul‚ Rise up‚ Speak up‚ Stand up The annual Symphony of Soul featuring the Marcus Roberts Trio was in addition a community event celebrating‚ Ellington Academy Students‚ Grand Rapids String Academy‚ and Mosaic Scholars. Grand Rapids Symphony of Soul is a creative interwind of Jazz and Classical‚ a toe tapping‚ freedom of celebrating diverse souls. The theme of freedom rang throughout the concert music beginning with all voices singing‚ “Lift Ev’ry Voice and Sing.” James Weldon
Premium Music Wolfgang Amadeus Mozart Orchestra
thrilling sounds of Nicholas Pappone (violin)‚ Grace Mei-En Ho (cello)‚ and Candace Chien (piano); all of whom are seasoned veterans of The Mallory Concert Series at Rutgers University: Camden. The expectation is obvious with the lack of seats available that the concert will be captivating. As the air turns to a silent empty hum‚ we are ready. Personally notable movements from the first piece of the program‚ Piano Trio in C Minor‚ Op. 2‚ are Andante and Vivace. Pappone‚ “lauded as a ‘first rate’ violinist
Premium Music Wolfgang Amadeus Mozart Ludwig van Beethoven
Rhapsody In Blue George Gershwin’s Rhapsody in Blue is one of those timeless classics that is instantly recognizable to many people’s ears today‚ even ninety years after it was first introduced to the world. It is a piece that has found its way into contemporary movies and advertisements‚ making it likely as recognizable as Chopin’s Funeral March or Beethoven’s Fifth Symphony. But unlike these two pieces of iconic classical music‚ Rhapsody in Blue “resists classification.”1 In it are elements
Premium Jazz Rhapsody in Blue
leader to be released soon on Culture Shock Music. The album consists of a set of nine tunes‚ seven originals and two jazz standards‚ outfitted with diverse colors and played in different band formats (trio‚ quartet‚ and quintet). The lineup includes Lucas Pino on tenor saxophone‚ Victor Gould on piano‚ Ben Williams on bass‚ and Jimmy MacBride on drums. The opening tune‚ “Action-Reaction”‚ is an exciting ride to the 60’s and
Premium Jazz Blues Music
Study Questions Unit II Part 2 (Chapters 28-29‚ 32) The Romantic Era Chapter 28 1) How old was Mendelssohn when he composed the Overture to a Midsummer Night’s Dream? 17 2) How does Mendelssohn tell the story of the play through music? By using melodies that can be readily associated with the play’s principal characters. 3) What is program music? Why was it important during the 19th-century? Purely instrumental work openly linked in some way to an object‚ story‚ or idea outside of the music; Artists
Premium Franz Liszt Hector Berlioz Felix Mendelssohn
Clara Josephine Wieck was born on September 13th‚ 1819 in Leipzig‚ Germany. She was born into music‚ as her whole family growing up played an instrument. Her father Friedrich Wieck made a living as a first-rate piano teacher‚ and it was he who taught Clara and her mother Marianne. He even gave lessons to Clara’s future husband‚ Robert Schumann. After Clara’s parents divorced after eight years of marriage‚ she went to live with her father at the age of five. Friedrich Wieck saw the talent his daughter
Premium Piano Franz Liszt
Lutheran family‚ and spent much of his professional life in Vienna. He is grouped with J.S Bach and Beethoven to be one of the ‘three Bs’. Brahms was a virtuoso pianist‚ and premiered many of his own works – many of the pieces that he composed for the piano were written to match his standards. He was extremely skilled at counterpoint‚ and used a lot of counterpoint to ‘honour’ the ‘purity’ of the structure of counterpoint and to advance them into a romantic idiom‚ to create new bold approaches to harmony
Premium Violin Viola Key signature
is an optional part of a sonata-form movement? A. exposition |C. coda | B. development |D. recapitulation | 7. A _____________ is a musical composition that is usually light in mood‚ and meant for evening entertainment. A. minuet and trio B. aubade C. serenade D. rondo 8. Which of the following statements is not true? A. Mozart wrote masterpieces in all the musical forms of his time. B. Between the ages of six and fifteen‚ Mozart was continually on tour in England and Europe
Premium Wolfgang Amadeus Mozart Ludwig van Beethoven Symphony
Bernstein- Something’s coming essay Melody Something’s coming has many examples of blue notes. These are either F G# or C‚ and can be seen in bars 18-20 in the vocal line. A tritone is a jump of 3 tones and can be seen in the vocal line ‘soon as it’‚ (G# D). The melody is partly fragmentary as it usually contains fragment semi-tones in the rhythmic parts‚ e.g. there are two fragmented notes F# G in the vocal line‚ ‘Could it be?’ to ‘if I can wait.’ The words are predominantly syllabic in the
Premium Music Key signature Chord
Remained popular in England and America throughout the 19th century. Beginnings of American Popular Song -most fashion‚ art‚ and entertainment came from England. -Parlor songs were demanded more because of the introduction of domestically manufacture pianos around 1830. -Primary output of American composers and publishers was sacred music. -1789 - turning point for American secular music. New ratified constitution made national copyright act. It protected printed materials for 14 years‚ renewable for
Premium Popular music Jazz Musical theatre